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This is the third book in the “Understanding the Moving Image“ series. Like other books in the series, it aims to provide a strong critical and theoretical base for the study of the media. It has b …

During World War II, jazz embodied everything that was appealing about a democratic society as envisioned by the Western Allied powers. Labelled `degenerate“ by Hitler“s cultural apparatus, jazz wa …

Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano“s films from Violent Cop to Takeshis, the author relates the director to issues of c …

In the film “Seven Samurai“ (1954) a whole society is on the verge of irrevocable change. Many people consider this film a major achievemnet in Japanese cinema, an epic that evokes the cultural uph …

Film/Genre revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre g …

Sue Thornham“s study explores issues in feminist filmmaking through an examination of a wide range of films by women filmmakers, ranging from the avant-garde to mainstream Hollywood, and from the 19 …

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Catherine O“Brien draws on the structure of Dante Alighieri“s Divine Comedy to explore …

A climate of Islamophobia allows anxieties about Muslim men living in and migrating to Britain to endure. British Muslims men are often profiled in highly negative terms or regarded with suspicion ow …

Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinati …

Richard Roud“s Godard, first published in 1967 as “Number One“ in the seminal Cinema One series, was the first monograph on the great film-maker to be published in English, and one that reveals a …