Angeliki Lymberopoulou 
Hell in the Byzantine World [EPUB ebook] 
A History of Art and Religion in Venetian Crete and the Eastern Mediterranean

An annotated index and general orientation of Islamic art collections in museums, libraries, other institutions and on private hands. Includes a short description of each collection, its main charact …

How Drawings Work cheekily explains that what architects make is information that enables other people to make buildings. That information comes in a variety of forms: drawings by hand and computer, …

In 1797 Friedrich Schlegel wrote that ‘philosophy of art usually lacks one of two things: either the philosophy, or the art.’ This collection of essays contains both the philosophy and the art. It br …

"Holland" is a historical novel written by Thomas Colley Grattan. The novel, set against the backdrop of the 16th-century Dutch War of Independence, provides a vivid and dramatic picture of …

Vivienne Brough-Evans proposes a compelling new way of reevaluating aspects of international surrealism by means of the category of divin fou, and consequently deploys theories of sacred ecstasy as d …

This important study introduces the key theories of national identity, and relates them to the broad fields of product, graphic and fashion design. Javier Gimeno-Martinez approaches the inter-relatio …

“ Vive la Sociale”: This rousing, revolutionary statement, written on a bright red banner across the top of James Ensor »s Christ »s Entry into Brussels in 1889, served as a visual manifesto and call …

In this volume, a team of internationally respected contributors theorize the concept of aesthetic experience and its value. Exposing and expanding our restricted cultural and intellectual presupposi …

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was respon …

During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the so …