For the first time the exercises and teaching methods of world-renowned flutist William Bennett are featured in one workbook. After more than a decade of study with Bennett and many of his students, Roderick Seed has documented the tools that have made Bennett known for his ability to give the flute the depth, dignity, and grandeur of the voice or the stringed instrument. Topics range from how to overcome basic technical difficulties, such as pitch control, to the tools for phrasing, prosody, tone, and intonation needed for playing with different dynamics and ranges of expression. Advanced musicians will find useful exercises and techniques in this book that will deepen their knowledge and enjoyment of making music and help them in their quest to master the flute.
Table des matières
Foreword / William Bennett
Acknowledgments
Introduction
1. Finding a Sound
2. ‘Harmonics in Tune’ Tone
3. Reaction in the Sound
4. Attacks, Articulation and Repeated Notes
5. Prosody: ‘Elephants And Taxis’
6. Harmonics Exercises
7. Shakuhachi Exercise for Embouchure Control
8. Intonation Exercises
9. Flexibility Exercises
10. Other Exercises: Whistle Tones and Vocalises
11. Approaching Melodies
Bibliography
Index
A propos de l’auteur
Roderick Seed is a British flute player based in Vancouver BC, who made his Carnegie Hall debut in 2010 after winning First Prize at the Alexander and Buono International Flute Competition. He is a graduate of the Royal Academy in London, where he won an entrance scholarship to study with William Bennett, Kate Hill, and Patricia Morris. Seed has performed and taught internationally. Currently he teaches at the Vancouver Symphony Orchestra School of Music and performs with the Vancouver Symphony Orchestra.
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