Why should a supposedly Biblical relic lay down its literary roots in medieval French literature?
The Holy Grail made its first literary appearance in the work of the twelfth-century French poet, Chrétien de Troyes, and continues to fascinate authors and audiences alike. This study, supported by a theoretical framework based on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, aims to strip the legend of much of the mythological and folkloric association that it has acquired over the centuries, arguing that the Grail should be read as a symptom of disruption and obscurity rather than fulfilment and revelation.
Focusing on two thirteenth-century Arthurian prose romances,
La Queste del Saint Graal and
Perlesvaus, and drawing extensively on the wider field of Old French Grail literature including the works of Chrétien and Robert de Boron, the book examines the personal, social and textual effects produced by encounters with the Grail in order to suggestthat the Grail itself is instrumental not only in creating but also in disturbing, the discursive, psychic and cultural bonds that are represented in this complex and captivating literary tradition.
BEN RAMM is Research Fellow in French, St. Catharine’s College, Cambridge.
Tabela de Conteúdo
This Is Not The One: Identity, Abjection and
méconnaissance in the
Perlesvaus
Falling Out With God: The Discursive Inconsistency of
La Queste del
Saint Graal
Remissio Peccatorum: Re-Locating the Sins of the Grail Hero
Dead to the World: Dreaming of Life and Death on the Quest of the Holy Grail
Conclusion: `Si aviot son tens trespassé’: The Final Sacrifice of the Grail Hero?
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