Men carry a mattress retrieved
from a dumpster past the flooded
foundations of an unfinished
high-rise, an old woman catches
a pigeon in the folds of her dress
the dead smile and rise from swimming
pools or stand at attention
on stamps. The landscape can’t believe
it’s real—there is no ground
beneath it, like what mirrors do.
Adam Day is the recipient of fellowships from the Poetry Society of America and Kentucky Arts Council, and a PEN Emerging Writers Award. His work has appeared in Boston Review, the Kenyon Review, American Poetry Review, AGNI, the Iowa Review, and others.
Table of Content
I.
WE LIVED ABOVE THE KEY SHOP
WATER FROM THE SAME SOURCE
THE KINGHORSE BUTCHERTOWN BRAWL
HIDING AGAIN IN LONDON
SARCLET
A PLATEAU OF EXCELLENCE
WINTER NIGHTS
THE MAN OF WARTS
HIS DEMENTIA
A SMALL ROOM
WASHING FATHER’S FEET
IN MOURNING
CLEAN LINES, DIFFUSE LIGHTING
LETTER FROM AN UNKNOWN WOMAN
SMOKE
II.
SLEEPING WITH UNCLE LESTER
COMING IN FROM THE BACK PORCH AT NIGHT
THE CHILDREN, THE GRASS
ROMANTIC CONCEIT
THE LEAVING
TIME AWAY
THE DINNER PARTY
WINTER INVENTORY
ABANDONED HOUSE
THE INSOMNIAC
THE COW
III.
BLIND ATTIS
STAG HOLOFERNES
LETTERS ON SPACE AND HANDS
FAMILY ROMANCE
FIELD GUIDE
THE REVOLUTION
ANOOSH’S OBITUARY FOR HIMSELF, TO HIS SON
SNOW IN A BRICK COURTYARD
DIORAMA – (SCARLET AND LIVER)
FROM AN INTERVIEW WITH KENZABURO OE, WITH STAGE DIRECTIONS
FROM SYNGE’S RIDERS TO THE SEA
About the author
Adam Day: Adam Day is the recipient of a Poetry Society of America Chapbook Fellowship, a PEN Emerging Writers Award, and an Al Smith Fellowship from the Kentucky Arts Council. His work has appeared in Boston Review, The Kenyon Review, American Poetry Review, AGNI, The Iowa Review, and others.
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