The book is intended to become a useful reference for theatre people who need “China knowledge”. Its central questions are: how is traditional Chinese theatre (“Chinese opera”, i.e. xiqu) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: how are these identities related to one another to form a complex “economy of identities”? An insight is offered into the traditional Chinese theatre system composed of over three hundred theatre types vying for recognition in a complex relational network. Understanding how this “relationality” works might also shed light on the functioning of other fields in the current socio-cultural complex of China.
Table of Content
Chapter 1: Xiqu and Cultural Identity.- Chapter 2: Mobility Dynamics.- Chapter 3: Narratives.- Chapter 4: The National Essence: Jingju.- Chapter 5: The Mother of All Xiqus: Kunqu.
About the author
Ágota RÉVÉSZ studied sinology and stage direction. She researches Chinese theatre, cultural diplomacy, narratives and media.
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