Focusing on the ways in which women writers from across the political spectrum engage with and adapt Wollstonecraft’s political philosophy in order to advocate feminist reform, Andrew Mc Innes explores the aftermath of Wollstonecraft’s death, the controversial publication of William Godwin’s memoir of his wife, and Wollstonecraft’s reception in the early nineteenth century. Mc Innes positions Wollstonecraft within the context of the eighteenth-century female philosopher figure as a literary archetype used in plays, poetry, polemic and especially novels, to represent the thinking woman and address anxieties about political, religious, and sexual heterodoxy. He provides detailed analyses of the ways in which women writers such as Mary Hays, Elizabeth Hamilton, Amelia Opie, and Maria Edgeworth negotiate Wollstonecraft’s reputation as personal, political, and sexual pariah to reformulate her radical politics for a post-revolutionary Britain in urgent need of reform. Frances Burney’s The Wanderer and Jane Austen’s Mansfield Park, Mc Innes suggests, work as state-of-the-nation novels, drawing on Wollstonecraft’s ideas to explore a changing England. Mc Innes concludes with an examination of Mary Shelley’s engagement with her mother throughout her career as a novelist, arguing that Shelley gradually overcomes her anxiety over her mother’s stature to address Wollstonecraft’s ideas with increasing confidence.