Music and Modernism is a collection of essays which re-evaluates the significant connections between the disciplines of music, fine art and architecture in the period covering the emergence and flowering of modernism, c. 1849-1950. Combining established scholars in the field with those at the start of their careers, this book presents an exceptional cross-section of European and American modernism through a series of detailed case-studies.Avoiding a simplistic engagement with cross- or inter-disciplinarity, the focus of attention centres on themes that became key to modernist artists and critics: association, perception, representation, subjectivity, writing and language. Accordingly, this book re-thinks modernism itself in the light of both the fine arts and music, to advocate a multiplicity of modernisms from which it is necessary for scholars to construct their own narratives.