‘Oh, if you knew the lives we women lead
You'd understand the Devil is a catch.’
In this radical reimagining of the classic cautionary tale, Johanna Faustus makes the ultimate sacrifice and sells her soul to wrestle control of her own destiny. She travels through time and changes the course of human history, but can she escape eternal damnation?
Chris Bush's devilishly provocative play Faustus: That Damned Woman is inspired by the works of Marlowe, Goethe and other versions of the Faust myth – and explores what women must sacrifice to achieve greatness, and the legacies that are left behind.
Faustus: That Damned Woman was co-produced by Headlong and Lyric Hammersmith Theatre, in association with the Birmingham Repertory Theatre, and first performed at the Lyric Hammersmith Theatre in January 2020 before touring the UK.
عن المؤلف
Chris Bush is a playwright, lyricist and theatre-maker.
Her plays include: Otherland (Almeida Theatre, London, 2025); Robin Hood and the Christmas Heist written with Matt Winkworth (Rose Theatre, Kingston, 2024); an adaptation of Ibsen's A Doll's House (Sheffield Theatres, 2024); Rock/Paper/Scissors (Sheffield Theatres, 2022); an adaptation of Charlotte Brontë's Jane Eyre (Stephen Joseph Theatre, Scarborough, and New Vic, Newcastle-under-Lyme, 2022); (Not) the End of the World (Schaubühne, Berlin, 2021); Hungry (Paines Plough, 2021); Nine Lessons and Carols (Almeida Theatre, London, 2020); Faustus: That Damned Woman (Headlong, Lyric Hammersmith & Birmingham Rep, 2020); The Last Noël (Old Fire Station, Oxford, 2019); Standing at the Sky's Edge, a musical with music and lyrics by Richard Hawley (Sheffield Theatres, 2019, revived 2022 and at the National Theatre in 2023, West End 2024); The Changing Room (National Theatre Connections, 2018); Steel (Sheffield Theatres, 2018); an adaptation of Pericles (National Theatre, London, 2018); The Assassination of Katie Hopkins, written with Matt Winkworth (Theatr Clwyd, 2018); What We Wished For and A Dream.