This is the first comprehensive study of bodily images in Dada. Travelling between the international centres of the movement, from Zurich to Berlin, Paris to New York, it examines a diverse range of media, including art, literature, performance, photography and film. Its overall approach is to confront Dada’s bodily images not as organic unities but as fictions that reflect on the disjunctive, dehumanised society of war-torn Europe. These fictions occupy an ambivalent space between the battlefield (in their satirical exposure of ideology) and the fairground (in their playful manipulation and joyful renewal of the body). The book features analyses of works by Max Ernst, Francis Picabia, Hannah Höch, Marcel Duchamp and others, and will appeal to scholars and students of European history, cultural history, art and literature.
قائمة المحتويات
1 Introduction: spare parts2 Zurich Dada: between gas mask and carnival dance
3 Shooting the classical body
4 Hybrid bodies (I): the impossible machine
5 Hybrid bodies (II): the grotesque
6 Performance spaces: fairground, cabaret, exhibition
7 Death and rebirth: corpse or chrysalis
8 Fluid bodies, shifting identities
9 Dada’s Africa
10 Limit-bodies
11 Conclusion: exquisite corpses
Index
عن المؤلف
Simona Storchi is Lecturer in Italian at the University of Leicesterقم بشراء هذا الكتاب الإلكتروني واحصل على كتاب آخر مجانًا!
لغة الإنجليزية ● شكل EPUB ● صفحات 280 ● ISBN 9781526131164 ● حجم الملف 6.6 MB ● الناشر Manchester University Press ● مدينة Manchester ● بلد GB ● نشرت 2019 ● للتحميل 24 الشهور ● دقة EUR ● هوية شخصية 6928165 ● حماية النسخ Adobe DRM
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