مؤلف: Jonathan Rosenbaum

Of the dozens of books written about Orson Welles, most focus on the central enigma of Welles’s career: why did someone so extravagantly talented neglect to finish so many projects? Film critic Jonat …

‘Action!’ presents nineteen outstanding interviews with directors past and present, from around the world, working in a variety of genres, budgets and production environments from major studios to in …

Before his death in 2016, Abbas Kiarostami wrote or directed more than thirty films in a career that mirrored Iranian cinema’s rise as an international force. His 1997 feature Taste of Cherry made hi …

Godard. Fuller. Rivette. Endfield. Tarr. In his celebrated career as a film critic, Jonathan Rosenbaum has undertaken wide-ranging dialogues with many of the most daring and important auteurs of our …

Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic’s ideal role is to mediate and facilitate our public discussion of cinema. Por …

Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever-we just can’t see the good ones. Movie W …

The esteemed film critic Jonathan Rosenbaum has brought global cinema to American audiences for the last four decades. His incisive writings on individual filmmakers define film culture as a diverse …

The Knot Hare introduces himself to the reader as an undiscovered cryptid who no one can see. He invites the reader along on a journey to be discovered by the Professor, a famous cryptid hunter who i …

In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal c …

‘Action!’ presents nineteen outstanding interviews with directors past and present, from around the world, working in a variety of genres, budgets and production environments from major studios to in …

Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today …

In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contempora …

When it was released in 1995, Dead Man puzzled many audiences and critics. Jim Jarmusch’s reputation was for directing slick, hip contemporary films. And Dead Man was a black-and-white Western. As ti …

When it was released in 1995, Dead Man puzzled many audiences and critics. Jim Jarmusch’s reputation was for directing slick, hip contemporary films. And Dead Man was a black-and-white Western. As ti …

Greed is a legendary film begun in 1923. It was to have been Erich von Stroheim’s masterwork, but his colossal ambitions were to be his undoing. His obsession with realistic detail and determination …

Greed is a legendary film begun in 1923. It was to have been Erich von Stroheim’s masterwork, but his colossal ambitions were to be his undoing. His obsession with realistic detail and determination …

The idea of cinephilia is a crucial one for students of the cinema, but it is often associated with a bygone arthouse era. At the beginning of the twenty-first century, corporatism, public relations …

The idea of cinephilia is a crucial one for students of the cinema, but it is often associated with a bygone arthouse era. At the beginning of the twenty-first century, corporatism, public relations …

We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graph …

We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graph …