Neo-noir knows its past. It knows the rules of the game – and how to break them. From
Point Blank (1998) to
Oldboy (2003), from
Get Carter (2000) to
36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. Essays discuss works from the US, UK, France, Japa...
قائمة المحتويات
Notes on Contributors
Foreword: ‘If Only My Leg Didn’t Itch’, by Mike Hodges
Parallax Views: An Introduction, by Mark Bould, Kathrina Glitre, and Greg Tuck
1. Unde...
عن المؤلف
Mark Bould is editor of
Science Fiction Film and Television and author of
Film Noir: From Berlin to Sin City (2005),
The Cinema of John Sayles: Lone Star (2008),
R...