Exploring the complex dynamics of twenty-first century spatial sociality, this volume provides a much-needed multi-dimensional perspective that undermines the dominant image of Northern Ireland as a conflict-ridden place. Despite touching on memories of “the Troubles” and continuing unionist-nationalist tensions, the volume refuses to consider people in the region as purely political beings, or to understand processes of placemaking solely through ethnic or national contestations and territoriality. Topics such as the significance of friendship, gender, and popular culture in spatial practices are considered, against the backdrop of the growing presence of migrants, refugees and diasporic groups.
قائمة المحتويات
List of Figures
Acknowledgements
Introduction: Spatiality, Movement and Place-Making
Maruška Svašek and Milena Komarova
Chapter 1. Growing up with the Troubles: Reading and Negotiating Space
Angela Stephanie Mazzeti
Chapter 2. Crafting Identities: Prison Artefacts and Place-Making in Pre- and Post-ceasefire Northern Ireland
Erin Hinson
Chapter 3. ‘Recalling or Suggesting Phantoms’: Walking in Belfast
Elizabeth De Young
Chapter 4. ‘Women on the Peace Line’: Challenging Divisions through the Space of Friendship
Andrea García González
Chapter 5. ‘You Have No Legitimate Reason to Access’: Visibility and Movement in Contested Urban Space
Milena Komarova
Chapter 6. ‘Lifting the Cross’ in West Belfast: Enskilling Crucicentric Vision Through Pedestrian Spatial Practice
Kayla Rush
Chapter 7. Engaging amid Divisions: Social Media as a Space for Political Intervention and Interactions in Northern Ireland
Augusto H. Gazir M. Soares
Chapter 8. Belfast’s Festival of Fools: Sharing Space through Laughter
Nick Mc Cafferty
Chapter 9. Criss-crossing Pathways: The Indian Community Centre as a Focus of Diasporic and Cross-Community Place-Making
Maruška Svašek
Chapter 10. Sushi or Spuds? Japanese Migrant Women and Practices of Emplacement in Northern Ireland
Naoko Maehara
Chapter 11. Refugees and Asylum Seekers in Belfast: Finding ‘Home’ through Space and Time
Malcolm Franklin
Afterword: Cupar Way or Cupar Street – Integration and Division around a Belfast Wall
Dominic Bryan
Index
عن المؤلف
Maruška Svašek is Professor of Anthropology in the School of History, Anthropology, Philosophy and Politics at Queen’s University, Belfast, and Fellow at the Senator George J. Mitchell Institute for Global Peace, Security and Justice. Recent major publications include Anthropology, Art and Cultural Production (2007), Emotions and Human Mobility: Ethnographies of Movement (2012), Moving Subjects, Moving Objects: Transnationalism, Cultural Production and Emotions (2012), and (with Birgit Meyer) Creativity in Transition. Politics and Aesthetics of Cultural Production Across the Globe (2016).
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