مؤلف: Mladen Dolar

Die Stimme ist eines der flüchtigsten Dinge überhaupt und erweist sich doch als eines der komplexesten Phänomene. Dem slowenischen Philosophen und Kulturtheoretiker Mladen Dolar gelingt es, die …

Opera’s Second Death is a passionate exploration of opera – the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the …

Opera’s Second Death is a passionate exploration of opera – the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the …

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_Schwerpunkt: Präsenz Hans Ulrich Gumbrecht: Wie können wir (wenn überhaupt) entschlüsseln, was in Texten latent bleibt? Mladen Dolar: Sinn oder Präsenz? Eric L. Santner: Überlegungen zum …

A new, philosophically grounded theory of the voice-the voice as the lever of thought, as one of the paramount embodiments of the psychoanalytic object.Plutarch tells the story of a man who plucked a …

The contributors bring to bear an unrivaled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, analyzing movies such as Rear Window and Psycho. Starting from the premise that …

Jacques Lacan is the foremost psychoanalytic theorist after Freud. Revolutionising the study of social relations, his work has been a major influence on political theory, philosophy, literature and …

Against the idea that comedy offers us a relief from the horrors of the real world, the German-Jewish-American filmmaker Ernst Lubitsch defended his masterpiece To Be or Not to Be, a comedy from 1942 …

The Cartesian cogito-the principle articulated by Descartes that "I think, therefore I am"-is often hailed as the precursor of modern science. At the same time, the cogito’s agent, the ego, …