This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.
عن المؤلف
Constantine Verevis is Lecturer, School of Literary, Visual and Performance Studies, Monash University, Australia.
المزيد من الكتب الإلكترونية من نفس المؤلف (المؤلفين) / محرر
11٬405 كتب إلكترونية في هذه الفئة
