Working across a range of formats, from video art and gallery installations to independent cinema to Hollywood to the BBC, Steve Mc Queen’s prodigious output has been marked by formal ambition and political urgency. This vital collection interrogates his body of work, its political, aesthetic and institutional dimensions, and the interfaces between them. It offers critical insights into Mc Queen’s engagements with race, gender, the body, love and pain, and his abiding self-reflexive interest in the potential of multiple audio-visual forms. The first director to win both the Turner Prize and an Oscar for best picture, Mc Queen is probably the most important working British film maker. This book explores the controversies as well as the achievements in his stellar career so far.