The twenty-four interviews collected in
Conversations with Sarah Schulman, roughly a fifth of those that exist, have enabled Schulman to expound upon her distinctive fusion of art and social commitment. Ranging from major forums to smaller venues, and covering a period of more than thirty years, these interviews provide full evidence of Schulman’s value as a pivotal player in the intellectual life of her time.
Schulman’s career as a writer, activist, teacher, and oral historian is now in its fifth decade. Spanning multiple fiction genres, her eleven novels include
After Delores (1988),
Rat Bohemia (1995),
The Child (2007), and
Maggie Terry (2018). A native New Yorker, Schulman (b. 1958) writes for the people that she writes about—women and men making the most of a society that seems continually marked by homophobia, which Schulman regards as less a phobia than an unacknowledged pleasure system.
Readers have come to relish Schulman’s provocations, nowhere more so than through her books of nonfiction on topics such as gentrification and the interlocking nature of conflict and abuse. And since the early 1980s, when Schulman worked as a journalist, readers have come to applaud her searing indictments of the nation’s woeful response to its AIDS crisis.
Schulman has received the Kessler Award from CLAGS: The Center for LGBTQ Studies in honor of her body of work that has influenced the field of gay and lesbian studies, as well as the Bill Whitehead Award from Publishing Triangle for lifetime achievement. She holds an endowed chair in creative writing at Northwestern University.
عن المؤلف
Will Brantley is professor of English at Middle Tennessee State University. He is author of Feminine Sense in Southern Memoir: Smith, Glasgow, Welty, Hellman, Porter, and Hurston; editor of Conversations with Pauline Kael; and coeditor (with Nancy Mc Guire Roche) of Conversations with Edmund White, all published by University Press of Mississippi.
المزيد من الكتب الإلكترونية من نفس المؤلف (المؤلفين) / محرر
4٬642 كتب إلكترونية في هذه الفئة
