This volume is the first to provide a book-length study of Pinter’s overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter’s later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinter’s later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics.
Table of Content
1. Introduction: On the Meaning of Late, Affect, and Aestheticizing Politics.- 2. The “Early” Years: A “More Precisely Political” Drama.- 3. Pinter’s Political Dramas in the 1990s and After: Dialogue Is the Thing.- 4. The Political Verse: A Poetics of Force.- 5. A “Citizen of the World”: Aestheticizing Politics.- 6. The Nobel Lecture: Artist and Citizen Converge.-
About the author
Basil Chiasson is Research Fellow at the University of Leeds. He is a member of the AHRC-funded ‘Harold Pinter: Histories and Legacies’ research team. Previous publications include contributions to Modern Drama, The Theatre of Harold Pinter and Harold Pinter’s The Dumb Waiter.
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