Argues that the myths and ideals of William Blake’s poetry were heavily influenced by the Oriental Renaissance—the British discovery of Hindu literature.
Examining William Blake’s poetry in relation to the mythographic tradition of the eighteenth century and emphasizing the British discovery of Hindu literature, David Weir argues that Blake’s mythic system springs from the same rich historical context that produced the Oriental Renaissance. That context includes republican politics and dissenting theology-two interrelated developments that help elucidate many of the obscurities of Blake’s poetry and explain much of its intellectual energy. Weir shows how Blake’s poetic career underwent a profound development as a result of his exposure to Hindu mythology. By combining mythographic insight with republican politics and Protestant dissent, Blake devised a poetic system that opposed the powers of Church and King.
Table of Content
List of Figures
Acknowledgments
Abbreviations
Introduction
1. Politics
2. Mythography
3. Theology
Postscript
Appendix A. Mythographic Material from Joseph Priestley
Appendix B. Synopsis of The Four Zoas
Notes
Selected Bibliography
Index
About the author
David Weir is Professor of Comparative Literature at the Cooper Union for the Advancement of Science and Art. He is the author of Brahma in the West: William Blake and the Oriental Renaissance, also published by SUNY Press; Decadence and the Making of Modernism; James Joyce and the Art of Mediation; and Anarchy and Culture: The Aesthetic Politics of Modernism.
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