Film

Claudia Rumms: Narrative Complexity in Christopher Nolan’s ‚Memento‘. Narrative Structure, Unreliability, Fabula Construction and Cinematography as Key Elements for the Spectator’s Manipulation

Cyrus Manasseh: Architectural Space and Form in Science Fiction Cinema. An Analysis of ‚Blade Runner‘ (1982), ‚The Fifth Element‘ (1997) and ‚Alien‘ (1979)

Eden Cook: Tobe Hooper’s ‚The Texas Chainsaw Massacre‘ as social commentary. The breakdown of classicism in form and content

Matthias Köbrich: Representations of Gender and Class in ‚The Great Gatsby‘. An Analysis of the Movie Adaptations of 1974 and 2013

Eden Cook: Self deception in ‚Memento‘ (Christopher Nolan, 200) and ‚The Machinist‘ (Brad Anderson, 2004). How memory loss is shown as a product of guilt

Esme Wells: From Pure Animal to Critical Human. Why Do We Use Anthropomorphism in Animation?

Martin Thiele: Filmosophy – About Framptons Radically New Way of Understanding Cinema

Fabian Lukas: Gender roles in ‚King Kong‘ (1933). Ann Darrow as an example for independent women or the traditional image of womanhood??

Forms of Violence in ‚Martha‘ by Rainer Werner Fassbinder

Anna Bruska: Translation Strategies in Polish Dubbed and Subtitled Versions of ‚Winnie the Pooh: Seasons of Giving‘