The relationship between economy, finance and society has become opaque. Quantum leaps in complexity and scale have turned this deeply interdependent web of relations into an area of incomprehensible abstraction. And while the economization of life has come under widespread critique, inquiry into the political potential of representational praxis is more crucial than ever. This volume explores ethical, aesthetic and ideological dimensions of economic representation, redressing essential questions: What are the roles of mass and new media? How do the arts contribute to critical discourse on the global techno-economic complex? Collectively, the contributions bring theoretical debate and artistic intervention into a rich exchange that includes but also exceeds the conventions of academic scholarship.
Über den Autor
Jörg Metelmann (Dr. phil. habil.), geb. 1970, ist Ständiger Dozent und Titularprofessor für Kultur- und Medienwissenschaft an der Universität St. Gallen. Seine Interessen in Forschung und Lehre liegen in der Gefühlspolitik, Mensch-Maschine-Interaktionen, dem Kreativitätskomplex und der Zukunft der Wirtschaftsausbildung.
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