Immanent Visitor is the first English-language translation of the work of Bolivia’s greatest and most visionary twentieth-century poet. A
poète maudit, Jaime Saenz rejected the conventions of polite society and became a monk in service of his own imagination. Apocalyptic and occult in his politics, a denizen of slum taverns, unashamedly bisexual, insistently nocturnal in his artistic affairs, and secretive in his leadership of a select group of writers, Saenz mixed the mystical and baroque with the fantastic, the psychological, and the symbolic. In masterly translations by two poet-translators, Kent Johnson and Forrest Gander, Saenz’s strange, innovative, and wildly lyrical poems reveal a literary legacy of fierce compassion and solidarity with indigenous Bolivian cultures and with the destitute, the desperate, and the disenfranchised of that unreal city, La Paz.
In long lines, in odes that name desire, with Whitmanesque anaphora, in exclamations and repetitions, Saenz addresses the reader, the beloved, and death in one extended lyrical gesture. The poems are brazenly affecting. Their semantic innovation is notable in the odd heterogeneity of formal and tonal structures that careen unabashedly between modes and moods; now archly lyrical, now arcanely symbolic, now colloquial, now trancelike. As Saenz’s reputation continues to grow throughout the world, these inspired translations and the accompanying Spanish texts faithfully convey the poet’s unique vision and voice to English-speaking readers.
poète maudit, Jaime Saenz rejected the conventions of polite society and became a monk in service of his own imagination. Apocalyptic and occult in his politics, a denizen of slum taverns, unashamedly bisexual, insistently nocturnal in his artistic affairs, and secretive in his leadership of a select group of writers, Saenz mixed the mystical and baroque with the fantastic, the psychological, and the symbolic. In masterly translations by two poet-translators, Kent Johnson and Forrest Gander, Saenz’s strange, innovative, and wildly lyrical poems reveal a literary legacy of fierce compassion and solidarity with indigenous Bolivian cultures and with the destitute, the desperate, and the disenfranchised of that unreal city, La Paz.
In long lines, in odes that name desire, with Whitmanesque anaphora, in exclamations and repetitions, Saenz addresses the reader, the beloved, and death in one extended lyrical gesture. The poems are brazenly affecting. Their semantic innovation is notable in the odd heterogeneity of formal and tonal structures that careen unabashedly between modes and moods; now archly lyrical, now arcanely symbolic, now colloquial, now trancelike. As Saenz’s reputation continues to grow throughout the world, these inspired translations and the accompanying Spanish texts faithfully convey the poet’s unique vision and voice to English-speaking readers.
€30.99
Inhaltsverzeichnis
AcknowledgesBy Way of Introduction
A Note on This Translation
POEMS IN TRANSLATION
Anniversary of a Vision (1960)
From As the Comet Passes (1970-1972)
High above the Dark City
Your Skull
Here
In the Heights
The Basket of Wool
So I Am Persuaded
The City
Watching the River Flow
Someone Must Be Called Twilight
From The Scalpel (1955)
Homage to Epilepsy
Paraphrase of ‚So Have You Told Him or Not?‘
The Candle and the Breeze (Excerpt)
The Voyage of the Lindens and the Madrepores While
Staying in the Weariness of the Age-Old Cradles (Excerpt)
To Cross This Distance (1973)
From Immanent Visitor (1964)
POEMS IN THE ORIGINAL SPANISH
Aniversario de una vision (1960)
De Al pasar un cometa (1970-1972)
En lo alto de la ciudad oscura
Tu calavera
Aqui
En la altura
La canasta de lana
Sejun estoy persuadido
La ciudad
Mirando como pasa el rio
Alguien tendra que llamarse crepusculo
De El Escalpelo (1955)
Homenaje a la epilepsia
Parafrasis de ‚Y le has dicho? o no?‘
La vela y el viento (Fragmento)
El viaje de los tilos y las madreporas cuando se reside
en el cansancio de las viejas cunas (Fragmento)
Recorrer esta distancia (1973)
De Visitante profundo (1964)
The Saenz Effect: An Afterword
by Leonardo Garcia-Pabon
Über den Autor
Kent Johnson is the translator of A Nation of Poets: Writings from the Poetry Workshops of Nicaragua (1985) and editor of Beneath a Single Moon: Buddhism in Contemporary American Poetry (1990) and Third Wave: The New Russian Poetry (1993). Forrest Gander is Professor of English Literature and Director of the Graduate Program in Literary Arts at Brown University. His books include Torn Awake (2001) and Science & Steepleflower (1998). He is the editor of Mouth to Mouth: Poems by Twelve Contemporary Mexican Women (1993) and translator of No Shelter: Selected Poems of Pura López Colomé (2002).Dieses Ebook kaufen – und ein weitere GRATIS erhalten!
Sprache Englisch ● Format PDF ● Seiten 167 ● ISBN 9780520936027 ● Dateigröße 1.0 MB ● Verlag University of California Press ● Erscheinungsjahr 2002 ● Ausgabe 1 ● herunterladbar 24 Monate ● Währung EUR ● ID 4995437 ● Kopierschutz Adobe DRM
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