Over the past two decades road cinema has become an increasingly popular form of expression for European directors. Focusing on a corpus of films from France, Belgium and Switzerland, including works by Ismael Ferroukhi, Bouli Lanners, Aki Kaurismaki and Jacqueline Audry amongst many others, French-language Road Cinema contends that nowhere is the impulse to remap the spaces and identities of ‚New Europe‘ more evident than in French-language cinema. Drawing on mobility studies, cultural geography and film theory, this innovative work sketches out the flexible yet distinctive parameters of contemporary French-language road cinema, and argues for an understanding of the ‚road movie‘ not as a genre but as a thematic and formal template that crosses cinematic categories to bring together a wide array of films that narrate the movements of migrants, tourists and business executives.
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