Paul Andrews 
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This is the third book in the “Understanding the Moving Image“ series. Like other books in the series, it aims to provide a strong critical and theoretical base for the study of the media. It has b …

This is the first major book-length study of the work of Australian film-maker Baz Luhrmann, one of the most exciting and controversial personalities working in World Cinema today. Luhrmann“s reputa …

Writer and film-maker Laura Mulvey is widely regarded as one of the most challenging and incisive contemporary cultural theorists, credited for incorporating film theory, psychoanalysis and feminism. …

Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symboli …

For the first time in one volume, this book presents in concise, chronological form, Sergei Eisenstein“s most significant work, including his famous theories of montage and articles on subjects as d …

This cinema history illuminates the role of southern Italian performance traditions on American movies from the silent era to contemporary film. In Napoli/New York/Hollywood, Italian cinema historian …

During World War II, jazz embodied everything that was appealing about a democratic society as envisioned by the Western Allied powers. Labelled `degenerate“ by Hitler“s cultural apparatus, jazz wa …

Detailing the genesis, production history and different versions of “Once Upon a Time in America“, this study considers the film within the context of Leone“s evolution as a grand cinema stylist. …

Richard Roud“s Godard, first published in 1967 as “Number One“ in the seminal Cinema One series, was the first monograph on the great film-maker to be published in English, and one that reveals a …