Paul Fiebig & Michael Gielen 
Beethoven im Gespräch: Die neun Sinfonien [PDF ebook] 

“I listen to a piece and ask myself what has made the greatest impression on me. What has moved me the most about it, what has excited me the most, what it is I want to write about, what sets my min …

The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric o …

The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed, regional studies o …

A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth cen …

Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of contin …

Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an importa …

Hailed at its premiere at the London Coliseum in 1986 as the most important musical and theatrical event of the decade, The Mask of Orpheus is undoubtedly a key work in Harrison Birtwistle“s output. …

This title was first published in 2002. Sir Peter Maxwell Davies is one of Britain“s most distinguished composers. This source book documents as much of the material on his music as is available to …

 With their complex textures, rich harmonies, and elaborate use of leitmotifs, the operas of German composer Richard Wagner (1813–83) remain some of the most influential—and contentious—in the h …

American writer, composer, artist, and philosopher John Cage (1912–92) is best known for his experimental composition 4’33, ” a musical score in which the performer does not play an instrument during …