A collection of essays, the first of which begins: ‚WITH the single exception of Falstaff, all Shakespeare’s characters are what we call marrying men. Mercutio, as he was own cousin to Benedick and Biron, would have come to the same end in the long run. Even Iago had a wife, and, what is far stranger, he was jealous. People like Jacques and the Fool in LEAR, although we can hardly imagine they would ever marry, kept single out of a cynical humour or for a broken heart, and not, as we do nowadays, from a spirit of incredulity and preference for the single state. For that matter, if you turn to George Sand’s French version of AS YOU LIKE IT (and I think I can promise you will like it but little), you will find Jacques marries Celia just as Orlando marries Rosalind.‘
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