Stoppard’s masterful adaptation of Chekhov’s best-loved play has been lauded by critics for its shining prose as well as its faithfulness. The play opens at a country estate, where a group of friends and relations have gathered to see the first performance of an experimental play, written and staged by the young man of the house, Konstantin. Among the audience are Konstantin’s mother, the actress Arkadina, and her lover, the famous novelist Trigorin. Their glamorous presence not only disrupts the performance, but soon takes on a more profound significance in the lives of all those present. This edition of
The Seagull includes an introduction by Stoppard which addresses the issues faced by translators since its first appearance in English in 1909.
Über den Autor
Tom Stoppard was born ‚Tomás Straüssler‘ in Zlin, Czechoslovakia in 1937 and moved to England with his family in 1946. Catapulted into the front ranks of modern playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967, he has become recognized as a contemporary comic master, the brilliantly acclaimed author of The Real Inspector Hound, Enter a Free Man, Albert’s Bridge, After Magritte, Travesties, Dirty Linen, Jumpers, New-Found-Land, Night and Day, The Real Thing, Hapgood, Artist Descending a Staircase, Every Good Boy Deserves Favor, Arcadia, The Invention of Love, The Coast of Utopia (Voyage, Shipwreck, and Salvage), and Rock ’n‘ Roll. He has also written a number of screenplays, including The Romantic Englishwoman, Despair, and Brazil. In 2017, he was awarded the David Cohen Prize for a lifetime’s achievement in literature.
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