Since the initial publication of
Experimental Phenomenology in 1977, Don Ihde’s groundbreaking career has developed from his contributions to the philosophy of technology and technoscience to his own postphenomenology. This new and expanded edition of
Experimental Phenomenology resituates the text in the succeeding currents of Ihde’s work with a new preface and two new sections, one devoted to pragmatism and phenomenology and the other to technologies and material culture. Now, in the case of tools, instruments, and media, Ihde’s active and experimental style of phenomenology is taken into cyberspace, science and media technologies, computer games, display screens, and more.
Table of Content
List of Illustrations
Preface to the Second Edition
Preface to the First Edition
Acknowledgments
Part I. Experimental Phenomenology: An Introduction
1. Introduction: Doing Phenomenology
2. Indians and the Elephant: Phenomena and the Phenomenological Reductions
3. The Visual Field: First Phenomenological Excursus
4. Illusions and Multistable Phenomena: A Phenomenological Deconstruction
5. Variations upon Deconstruction: Possibilities and Topography
6. Expanded Variations and Phenomenological Reconstruction
7. Horizons: Adequacy and Invariance
8. Projection: Expanding Phenomenology
9. Interdisciplinary Phenomenology
Part II. Pragmatism and Postphenomenology
10. Pragmatism and Phenomenology
Part III. Material Multistabilities
11. Simulation and Embodiment
12. Multistability and Cyberspace
13. Variations on
Camera Obscura
14. The Seventh Machine: Bow-under-Tension
Epilogue
Notes
References
Indicies
About the author
Don Ihde is Distinguished Professor of Philosophy at Stony Brook University, State University of New York. He is the author of several books, including
Postphenomenology and Technoscience: The Peking University Lectures and
Listening and Voice: Phenomenologies of Sound, Second Edition, both also published by SUNY Press.
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