In this original and timely assessment of cultural expressions of paranoia in contemporary Russia, Eliot Borenstein samples popular fiction, movies, television shows, public political pronouncements, internet discussions, blogs, and religious tracts to build a sense of the deep historical and cultural roots of konspirologiia that run through Russian life. Plots against Russia reveals through dramatic and exciting storytelling that conspiracy and melodrama are entirely equal-opportunity in modern Russia, manifesting themselves among both pro-Putin elites and his political opposition. As Borenstein shows, this paranoid fantasy until recently characterized only the marginal and the irrelevant. Now, through its embodiment in pop culture, the expressions of a conspiratorial worldview are seen everywhere. Plots against Russia is an important contribution to the fields of Russian literary and cultural studies from one of its preeminent voices.
Table of Content
Preface
Acknowledgments
Introduction: Russia as an Imaginary Country
1. Conspiracy and Paranoia: The Psychopathology of Everyday Speech
2. Ruining Russia: Conspiracy, Apocalypse, and Melodrama
3. Lost Horizons: Russophobia, Sovereignty, and the Politics of Identity
4. One Hundred Years of Sodom: Dystopian Liberalism and the Fear of a Queer Planet
5. The Talking Dead: Articulating the Zombified Subject under Putin
6. Words of Warcraft: Manufacturing Dissent in Russian and Ukraine
Conclusion: Making Russia Great Again
Notes
Works Cited
Index
About the author
Eliot Borenstein is Professor of Russian and Slavic Studies at New York University. He is the author of Men without Women and Overkill.
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