André Bazin 
Andre Bazin’s New Media [EPUB ebook] 

Editor’s Note: About This Collection 
Introduction: André Bazin Meets the New Media of the 1950s 
PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION
1. The Aesthetic Future of Television 
2. In Quest of Télégenie 
3. Television Is Unbeatable for Live Coverage 
4. Was It Live? Preserve Our Illusions 
5. The Talking Head: Must the Commissaire Stand on His Head for TV? 
6. Television Is Neither Theater nor Cinema 
7. At the Venice Festival, TV Shares the Screen 
8. Voice-Overs on TV: Let the Animals Talk 
9. Looking at Television 
PART TWO. TELEVISION AMONG THE ARTS
10. Long Live Radio! Down with the 8th Art! 
11. A Seat at the Theater 
12. False Improvisation and ‘Memory Lapses’ on TV 
13. To Serve Theater, Let Television Adopt Some Modesty 
14. Respect the Spirit of Theater First and Foremost! 
15. TV and the Disenchantment of Theater 
16. Art on Television: A Program That Loses on All Counts 
17. Reporting on Eternity: TV Visits the Musée Rodin 
PART THREE. TELEVISION AND SOCIETY
18. A Contribution to an Erotology of Television 
19. Censors, Learn to Censor 
20. You Can Now ‘Descend into Yourself’ 
21. Television, Sincerity, Liberty 
22. Information or Necrophagy 
23. Television as Cultural Medium and The Sociology of Television 
24. Do We Really Need Those Serials? 
25. A Superb Clown Made Incoherent by TV 
26. TV Can Popularize without Boredom or Betrayal 
PART FOUR. TELEVISION AND CINEMA
27. Television and the Revival of Cinema 
28. Television and Cinema 
29. Is Television a Degradation for Filmmakers? 
30. Some Films Are Better on the Small Screen Than the Large 
31. Should Television Be Allowed to Chop Films to Pieces? 
32. From Small Screen to Widescreen 
33. Sacha Guitry Is Confident about TV, Just as He Was about Cinema in 1914 
34. Jean Gabin Gets TV’s ‘Sour Lemon’ Prize 
35. ‘The Glass Eye’ Will Reveal a New Hitchcock 
36. Hitchcock on TV 
37. Renoir and Rossellini: Two Top Recruits for Television 
38. Renoir and Rossellini Debut on TV 
39. Cinema and Television: An Interview with Jean Renoir and Roberto Rossellini 
40. About Television: A Discussion with Marcel Moussy and André Bazin 
PART FIVE. CINERAMA AND 3D
41. New Screen Technologies 
42. Cinerama: A Bit Late 
43. Cinerama, a Disappointment 
44. Cinema in 3D and Color: Amazing! 
45. A New Stage in the Process: Math Equations for 3D 
46. Will a War in Three Dimensions Take Place? 
47. The Return of Metroscopix 
48. The House of Wax: Scare Me . . . in Depth! 
49. The Real Crime on La Rue Morgue: They Assassinated a Dimension! 
50. The 3D Revolution Did Not Take Place 
PART SIX. CINEMASCOPE
51. Will Cinema Scope Save the Cinema? 
52. Cinema Scope and Neorealism 
53. Cinema Scope: The End of Montage 
54. The Trial of Cinema Scope: It Didn’t Kill the Close-Up 
55. Massacre in Cinema Scope 
56. Will Cinema Scope Bring about a Television Style in Cinema? 
PART SEVEN. FINALE
57. Is Cinema Mortal? 
Appendix: A Selective Reference Guide to 1950s French Television 
Index

André Bazin (1918–1958) was the premier film theorist of the first century of cinema. Primarily associated with the journal Cahiers du cinéma, which he cofounded in 1951, he wrote for many other journals as well. Editor and translator Dudley Andrew is R. Selden Rose Professor of Film and Comparative Literature at Yale University. His books include The Major Film Theories, Concepts in Film Theory, André Bazin, Film in the Aura of Art, Sansho Dayu, Mists of Regret: Culture and Sensibility in Classic French Film, and Popular Front Paris and the Poetics of Culture.