In this book, the reader is taken on a journey through centuries of tradition, innovation, and cultural significance. From the ancient hanok houses to the modern skyscrapers that now dot the skyline, the impact of Korean architecture on society and culture is undeniable. Drawing on influences from Confucianism, Buddhism, and Chinese architecture, this book delves deep into the roots of Korean design principles and techniques.
With a keen eye on the future, the discussion extends to the preservation and restoration efforts of Korean architectural treasures, as well as the evolving trends and innovations shaping the landscape of modern Korean architecture. Through the expertly crafted narrative, readers are invited to explore the rich cultural and symbolic meanings embedded in every architectural detail, from the use of color and materials to the intricate motifs and decorations that adorn Korean structures.
As we reflect on the profound significance of Korean architecture, this book serves as a vital resource for those seeking a deeper understanding of the past, present, and future of this timeless art form. A must-read for architecture enthusiasts, cultural scholars, and anyone interested in the transformative power of design.
Sobre el autor
Maher Asaad Baker (In Arabic: ماهر أسعد بكر) is a Syrian Musician, Author, Journalist, VFX & Graphic artist, and Director, he was born in Damascus in 1977. Since his teens, he has been building up his career, starting by developing applications and websites while exploring various types of media-creating paths.
He started his career in 1997 with a dream of being one of the most well-known artists in the world.
Reading was always a part of his life as he was always surrounded by his father’s books, but his writing ability didn’t develop until a later age as his most time was occupied with other things such as developing, writing songs and music, or in media projects production, he is most known for his book ‘How I wrote a million Wikipedia articles’ and a novel entitled ‘Becoming the man’.
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