Dane Sanders 
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This is the third book in the »Understanding the Moving Image» series. Like other books in the series, it aims to provide a strong critical and theoretical base for the study of the media. It has b …

This is the first major book-length study of the work of Australian film-maker Baz Luhrmann, one of the most exciting and controversial personalities working in World Cinema today. Luhrmann»s reputa …

Writer and film-maker Laura Mulvey is widely regarded as one of the most challenging and incisive contemporary cultural theorists, credited for incorporating film theory, psychoanalysis and feminism. …

For the first time in one volume, this book presents in concise, chronological form, Sergei Eisenstein»s most significant work, including his famous theories of montage and articles on subjects as d …

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Joseph Cornell is one of the most significant American artists of …

This cinema history illuminates the role of southern Italian performance traditions on American movies from the silent era to contemporary film. In Napoli/New York/Hollywood, Italian cinema historian …

In Unlikely Couples, Thomas E. Wartenberg directly challenges the view that narrative cinema inherently supports the dominant social interests by examining the way popular films about ‘unlikely coupl …

In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts …

Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symboli …

The career of Robert Bresson (b. 1907) is one of the richest in the history of cinema, but also one of the most enigmatic. For some commentators, Bresson is a severe moralist who»s almost medieval i …