Catalog > Ciencia espiritual > Arte / Arquitectura > Teatro, Ballet > Fintan Walsh: Theatre and Therapy (ePUB)

Fintan Walsh
Theatre and Therapy [EPUB ebook]

Soporte

Portada de Fintan Walsh: Theatre and Therapy (ePUB)

Walsh argues that there are many links between theatre and therapy when considering actor training, theatre in therapeutic contexts, and contemporary theatre and performance. He draws on a range of examples that include the drama of Sarah Kane, the method acting of Daniel Day Lewis and performances by Ruby Wax and David Hoyle.

€9.24

¡Compre este libro electrónico y obtenga 1 más GRATIS!

Idioma Inglés ● Formato EPUB ● Páginas 96 ● ISBN 9781350316133 ● Editorial Bloomsbury Publishing ● Publicado 2012 ● Descargable 3 veces ● Divisa EUR ● ID 8165782 ● Protección de copia Adobe DRM

Requiere lector de ebook con capacidad DRM

Más ebooks del mismo autor / Editor

Walsh Fintan Walsh Fintan Walsh Birkbeck, University of London, UK) Walsh Fintan (Author

21.535 Ebooks en esta categoría

Portada de Dr George Kennaway: Playing the Cello, 1780–1930

Dr George Kennaway: Playing the Cello, 1780–1930

This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practi …

Portada de Professor Frode Helland: Ibsen in Practice

Professor Frode Helland: Ibsen in Practice

The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional »high art», theatre for development, queer and trans …

Portada de Toyoitiro Nogami: Japanese Noh Plays

Toyoitiro Nogami: Japanese Noh Plays

First published in 2005. Written for the benefit of travellers to Japan, this concise guide explains all aspects of the Noh performance, including the layout of the theatre, music, masks and costumes …

Portada de David Gayle: An English Ballet

David Gayle: An English Ballet

Ninette de Valois was an extraordinary woman. Not only did she create The Royal Ballet, The Royal Ballet School and the company that has become Birmingham Royal Ballet – in themselves great achieveme …

Portada de Sarah Crompton: Sadler''s Wells - Dance House

Sarah Crompton: Sadler»s Wells – Dance House

Sadler’s Wells is the world’s leading Dance House. Sadler’s Wells has developed new audiences for dance, this powerful and emotive art, for performances shown within its theatre spaces and outside – …

Portada de Simon Dunmore: An Actor''s Guide to Getting Work

Simon Dunmore: An Actor»s Guide to Getting Work

»Essential reading for any young actor» Dame Maggie Smith Competition for acting work is fierce and talent is not necessarily enough. Actors need all the help they can get with all aspects of the p …

Portada de Jan Haydn Rowles & Edda Sharpe: How To Do Accents

Jan Haydn Rowles & Edda Sharpe: How To Do Accents

This unique book offers a complete course in how to do any accent and also gives you the tools to navigate your way through a specific accent. Using solid technical know-how, clear practical steps, r …

Portada de Michela (University of Rome, Italy) Addis & Andrea Rurale: Managing the Cultural Business

Michela (University of Rome, Italy) Addis & Andrea Rurale: Managing the Cultural Business

The arts and cultural sector has always been a challenging area in which to find business success; the advent of the global health crisis due to COVID-19 has greatly amplified these challenges. Thank …

Portada de Aileen Gonsalves & Tracy Irish: Shakespeare and Meisner

Aileen Gonsalves & Tracy Irish: Shakespeare and Meisner

This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner»s work and legacy, a discussion of …

Portada de Penelope Freedman: ‘You’ and ‘Thou’ in Shakespeare

Penelope Freedman: ‘You’ and ‘Thou’ in Shakespeare

Romeo and Juliet always use »thou» to each other, but they are the only pair of lovers in Shakespeare to do this. Why? All the women in Richard III address Richard as »thou», but no man ever does …

siguiente página >>>