Heelmann Peter Heelmann 
Simpliciana [EPUB ebook] 
Schriften der Grimmelshausen-Gesellschaft- XXXVI. Jahrgang / 2014

Why have vampires become such a feature of modern culture? Can vampire-like conditions be explained by medical research? Is there a connection between vampirism and Freud? The Psychology of Vampires …

Joseph Conrad is a key figure in modernist fiction, whose innovative work engages with many of the crucial philosophical, moral and political concerns of the twentieth century. This collection of maj …

Dreambooks in Byzantium offers for the first time in English translation and with commentary six of the seven extant Byzantine oneirocritica, or manuals on the interpretation of dreams. (The seventh, …

»British Studies» and »British Cultural Studies» cover a wide range of facets of contemporary Britain. Studying British Cultures: An Introduction is a unique collection of essays which examine th …

Contemporary women writers in these two societies are still writing about similar issues as did earlier generations of women, such as exclusions from discourses of nation, a problematic relationship …

First published in 2012. Michel Foucault was a different kind of intellectual from his predecessors, one whose work articulated a new relation both to the institutions in which he worked and to a wid …

Writing landscapes inevitably occurs in dialogue with a long textual and pictorial tradition, but first-hand experience also provides key stimuli to many writers’ accounts. This monograph employs a c …

First published in 1969, this book provides a concise and helpful introduction to the terms ‘fancy’ and ‘imagination’. Although they are generally associated with Samuel Taylor Coleridge, the work be …

1999 marked the eleven-hundredth anniversary of the death of Alfred the Great, and to mark this event, two international conferences were held to re-evaluate and contextualise Alfred»s achievements …

‘The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as »copies» of reality …