With contributions by Greg Barnhisel, John N. Duvall, Kristin Fujie, Sarah E. Gardner, Jaime Harker, Kristi Rowan Humphreys, Robert Jackson, Mary A. Knighton, Jennifer Nolan, Carl Rollyson, Tim A. Ryan, Jay Satterfield, Erin A. Smith, Jay Watson, and Yung-Hsing Wu
William Faulkner’s first ventures into print culture began far from the world of highbrow New York publishing houses such as Boni & Liveright or Random House and little magazines such as the
Double Dealer. With that diverse publishing history in mind, this collection explores Faulkner’s multifaceted engagements, as writer and reader, with the US and international print cultures of his era, along with how these cultures have mediated his relationship with various twentieth- and twenty-first-century audiences.
These essays address the place of Faulkner and his writings in the creation, design, publishing, marketing, reception, and collecting of books; in the culture of twentieth-century magazines, journals, newspapers, and other periodicals (from pulp to avant-garde); in the history of modern readers and readerships; and in the construction and cultural politics of literary authorship.
Several contributors focus on Faulkner’s sensational 1931 novel
Sanctuary to illustrate the author’s multifaceted relationship to the print ecology of his time, tracing the novel’s path from the wellsprings of Faulkner’s artistic vision to the novel’s reception among reviewers, tastemakers, intellectuals, and other readers of the early 1930s. Other essayists discuss Faulkner’s early notices, the
Saturday Review of Literature,
Saturday Evening Post, men’s magazines of the 1950s, and Cold War modernism.
Sobre el autor
James G. Thomas, Jr., is associate director for publications at the University of Mississippi’s Center for the Study of Southern Culture. He is an editor of the twenty-four-volume New Encyclopedia of Southern Culture and The Mississippi Encyclopedia; coeditor (with Jay Watson) of Faulkner and Print Culture, Faulkner and History, and Faulkner and the Black Literatures of the Americas; and editor of Conversations with Barry Hannah. His work has appeared in Ethnic Heritage in Mississippi: The Twentieth Century, Southern Cultures, Southern Quarterly, and Living Blues.
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