A scientist recruits volunteers for the trial of a new recreational drug that exclusively affects women. Among them is “Number 4, ” who becomes emotionally involved with first the scientist and then his wife, a well-known visual artist in the midst of a creative crisis. The scientist is oblivious to the atrocities his new drug will bring to the city; his wife is oblivious to the superfluousness of the objects she has made her life’s work exhibiting in galleries and museums. Despite prominence as designers of artificial emotional states, Number 4’s presence in their lives pierces their complacency, gradually undoing the many certainties they’ve accumulated in their lives of ease.
Sobre el autor
Juan Cárdenas (1978) is a Colombian art critic, curator, translator and author of the novels Zumbido (451 Editores, 2010/ Periférica, 2017), Los estratos (Periférica, 2013), Ornamento (Periférica, 2015), Tú y yo, una novelita rusa (Cajón de sastre, 2016) and El diablo de las provincias (Periférica, 2017). He is also the author of the short story collection Carreras delictivas (451 Editores, 2008). He has translated the works of writers as William Faulkner, Thomas Wolfe, Gordon Lish, David Ohle, J. M. Machado de Assis and Eça de Queirós. In 2014, his novel Los estratos received the Otras Voces Otros Ámbitos Prize. In May 2017, he was named by the Hay Festival in Bogotá as one of the 39 best Latin American writers under the age of 39. Cárdenas currently coordinates the Masters Program in Creative Writing at the Caro y Cuervo Institute in Bogotá, where he works as a professor and researcher.
Lizzie Davis is a translator from Spanish to English and editor at Coffee House Press. Her recent book-length translations include Elena Medel’s My First Bikini and a co-translation of Tell Me How It Ends: An Essay in Forty Questions with Valeria Luiselli.
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