A character in a popular cop show, Dan Symmonds, is written out of the series and finds himself lingering in Cop Show Heaven. Here he must try to discover some depth to his personality in order to inspire a writer to re-invent him. But of course, that’s just propaganda because nobody really wants depth, they just want what sells, or if not that, they just want that which sells what they want to sell! Here we are in a world aware of its own fictional nature, questioning the reasons for its own existence. In this parody of parodies, any resemblance that Cop Show Heaven bears to Hong Kong and its film-making community is purely coincidental and whoever the readership assumes any of the characters to resemble is much mistaken. All is fiction. All is fantasy. Nothing is predicted. No thesis is proffered. No solution is offered. And it all ends as Hollywood would have it end, with a beginning. Shakespeare might hold up a mirror to the times, but Gray holds up a mirror to the mirror. Cop Show Heaven came into existence because Heaven rented part of Hell to allow dead directors the pleasure of making movies. However, the Devil wants it back and is not allowing Heaven to renew the lease.
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