These poems are often poems of love or death and iconic figures, Jungian archetypes, animus figures with strong outlines, harsh comfort and, often, voices of their own dominate the first, the 'title' section of the book. Here you can find poems autobiographical and entirely fictional set in her native rural/industrial Lanarkshire. Poems dedicated to other poets.
There is a section of the rude and the rhyming, the out-loud. Now she's in her middle years she's decided to own up to this stuff properly, her interest in 'unrespectable' poetry, in black prison 'toasts', in recitations, folk-poems and music hall monologues. The colour of both the black and the white. The collaboration with the printmaker Willie Rodger was also an essential part of the making of this book.
Lochhead, long an admirer of Rodger's work, felt strongly that he was a kindred spirit and his poetically pared down and essential lino cuts accentuate the positive and the negative, the black and the white.
Sobre el autor
Liz Lochhead was born in Motherwell in 1947. While studying at the Glasgow School of Art she began to write seriously, gradually losing her way with her initial dream of becoming a painter. Her first book of poetry, Memo for Spring, was published in 1972 and sold 5, 000 copies. The Scottish-Canadian Writers Exchange Fellowship, 1978–9, marked her transition to full-time writer. She has since published several plays and poetry collections including A Choosing and most recently Fugitive Colours. Liz Lochhead was Scots Makar from 2011–2016.
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