Introduction – Angela Y. Davis& Neferti X. M. Tadiar * Popular Culture and Advertising * The East Side Revue, 40 Hits by East Los Angeles Most Popular Groups!: The Boys in the Band and the Girls Who Were Their Fans – Keta Miranda * The Commoditization of Hybridity in 90s U.S. Fashion Advertising: Who is (c K) One – Laura J. Kuo * Her Suit Fits: Albita’s Performative Postures – Darshan Elena Campos * Beyond Pocahontas – Joanne Marie Barker * ‘Come Up To the KOOL Taste’: Race and the Semiotics of Advertising – Sarah Jain * Self/Identity, Memory/History * Unpacking Popo’s Boxes: The Formation of a Genealogical Identity in Hawai´i – Noelani Goodyear-Ka’opua * The Politics of Self and Identity in the Photographic Self-Portrait – Kianga Ford * July 1997, A Woman Sitting On A Camel, Smiling – Jarita C. Holbrook * Memory of My Absent Grandpa – Naono Akiko * Dissecting the Real * Who’s Zooming Who(M)? Resituating Filmic Representations and the Decolonization of Critical Viewing – A. L. Anderson * ‘The Face Value of Dreams’: Gender, Race, and Class and the Politics of Cosmetic Surgery – Vicky Bañales * A Fraction of National Belonging: Anatomy of One ‘Hybrid Hawaiian’ in 1930s Racial Classificatory Schema – J. Kehaulani Kauanui * Resistance Images * Bearing Bandaleras: Transfigurative Liberation and the Iconography of la Nueva Chicana – Maylei Blackwell * ‘¿Soy Punkera Y Que?’: Nation, Gender, and Chicana Feminist Images – Michelle Habell-Pallan * Aztec Princess Still At Large – Catríona Rueda Esquibel * Embodied at the Shrine of Cultural Disjuncture – Luz Calvo

Angela Davis and
Neferti Tadiar are Professors in the History of Consciousness Program, University of California at Santa Cruz.