Nicholas Coles & Paul Lauter 
History of American Working-Class Literature [EPUB ebook] 

Interpreting human stories, whether those told by individuals, groups, organizations, nations, or even civilizations, opens a wide scope of research options for understanding how people construct, sh …

First published in 2012. Michel Foucault was a different kind of intellectual from his predecessors, one whose work articulated a new relation both to the institutions in which he worked and to a wid …

This book recreates in written form seventeen of the most popular, frankly personal and engaging lectures on literature given by the award-winning teacher Richard Jacobs, who has been working with st …

Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading …

Kashmiri Life Narratives takes as its central focus writings — memoirs, non-fictional and fictional Bildungsromane — published circa 2008 by Kashmiris/Indians living in the Valley of Kashmir, India …

Nicky Hallett has uncovered a major new source of material by and about English nuns living in exile in the Low Countries during the seventeenth and eighteenth centuries. This volume presents the wom …

As long as there have been fans, there has been fan fiction. There seems to be a fundamental human need to tell additional stories about the characters after the book, series, play or movie is over. …

First published in 1969, this book provides a concise and helpful introduction to the terms ‘fancy’ and ‘imagination’. Although they are generally associated with Samuel Taylor Coleridge, the work be …

Scientific modernity treats interpretation as a matter of discovery. Discovery, however, may not be all that matters about interpretation. In Milton»s Secrecy, J. D. Fleming argues that the poetry a …

‘The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as »copies» of reality …