That the Dialogue which goes by the name of the Second Alcibiades is a genuine writing of Plato will not be maintained by any modern critic, and was hardly believed by the ancients themselves. The dialectic is poor and weak. There is no power over language, or beauty of style; and there is a certain abruptness and agroikia in the conversation, which is very un-Platonic. The best passage is probably that about the poets:—the remark that the poet, who is of a reserved disposition, is uncommonly difficult to understand, and the ridiculous interpretation of Homer, are entirely in the spirit of Plato (compare Protag; Ion; Apol.). The characters are ill-drawn. Socrates assumes the ‘superior person’ and preaches too much, while Alcibiades is stupid and heavy-in-hand. There are traces of Stoic influence in the general tone and phraseology of the Dialogue (compare opos melesei tis…kaka: oti pas aphron mainetai): and the writer seems to have been acquainted with the ‘Laws’ of Plato (compare Laws). An incident from the Symposium is rather clumsily introduced, and two somewhat hackneyed quotations (Symp., Gorg.) recur. The reference to the death of Archelaus as having occurred ‘quite lately’ is only a fiction, probably suggested by the Gorgias, where the story of Archelaus is told, and a similar phrase occurs;—ta gar echthes kai proen gegonota tauta, k.t.l. There are several passages which are either corrupt or extremely ill-expressed. But there is a modern interest in the subject of the dialogue; and it is a good example of a short spurious work, which may be attributed to the second or third century before Christ…
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[Halls of Wisdom]
From Buddha to Confucius to Plato and down the spiral of time to Kant, Nietzsche and Russell, the Halls of Wisdom are filled to overflowing, yet barely full. Explore the cavernous teachings of the masters, get lost in the art of wonder, and fall in love with wisdom.
The only thing you can lose are your chains.
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