A reassessment of Argentinian poet and critic, Alejandra Pizarnik
Thirty-five years after her death, this book reassesses the Argentinian poet Alejandra Pizarnik (1936-72) in the light of recent publications of her ‘complete’ poetry and prose, diaries, and previously unavailable archive material.
The essays in this volume explore Pizarnik’s work from new angles: they examine her production as a literary critic, revealing her intense identificatory strategies as a reader, and the impact of such activities upon her own creative process. They also weigh up the influence of her ambiguous attitudes towards sexuality on her poetic personae, as well as the ways in which her concern with sex inspires her experimentation with humorous prose. New approaches are taken to key texts and themes: in the case of the much-studied work, ‘La condesa sangrienta’, through a detailed philosophical reading involving comparisons with Kafka, and, in the case of the theme of the split subject, through the lens of translation.
By broadening the scope of Pizarnik studies, this book will act as a catalyst for further research into the work of this compelling poet.
FIONA MACKINTOSH and KARL POSSO lecturein Hispanic Studies at the University of Edinburgh.
OTHER CONTRIBUTORS: Susana Chávez Silverman, Evelyn Fishburn, Florinda F. Goldberg, Cristina Piña, Cecilia Rossi, Jason Wilson
Table of Content
Introduction
Gender, Sexuality and Silence(s) in the Writing of Alejandra Pizarnik – Susana Chávez Silverman
Different Aspects of Humour and Wordplay in the Work of Alejandra Pizarnik – Evelyn Fishburn
The Tormenting Beauty of Ideals: A Deleuzian Interpretation of Pizarnik’s `La condesa sangrienta’ and Franz Kafka’s `In the Penal Colony’ –
Alejandra Pizarnik, Surrealism and Reading – Jason Wilson
Alejandra Pizarnik, the Perceptive Reader – Florinda F Goldberg
Alejandra Pizarnik’s `palais du vocabulaire’: Constructing the `cuerpo poético’ – Fiona J. Mackintosh
Alejandra Pizarnik’s Poetry: Translating the Translation of Subjectivity – Cecilia Rossi
The `Complete’ Works of Alejandra Pizarnik?: Editors and Editions – Cristina Piña
Afterword
Index
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