This anthology negotiates the influential, yet silent educational presence of spiritualities within the field of somatic movement dance education internationally. The expressive and integral nature of spiritual experience remains academically undefined and peripheral to our understanding of creative practice. Lack of theoretical rigour, as well as a lack of a substantive definitional and methodological competency, has resulted in spirituality being marginalised. To date, important questions about how diverse spiritualities shape professional practice in the somatic movement and dance arts remain unanswered. This cutting-edge collection fills that void, providing greater creative and discursive clarity.
Table des matières
Introduction
Amanda Williamson, Glenna Batson and Sarah Whatley
Part I: Moving Spiritualities – Amanda Williamson
Chapter 1: Embodiment of Spirit: From Embryology to Authentic Movement as Embodied Relational Spiritual Practice – Linda Hartley
Chapter 2: The Alchemy of Authentic Movement: Awakening Spirit in the Body – Tina Stromsted
Chapter 3: Dancing in the Spirit of Sophia – Jill Hayes
Chapter 4: Body Ensouled, Enacted and Entranced: Movement/Dance as Transformative Art – Daria Halprin
Chapter 5: Dancing on the Breath of Limbs: Embodied Inquiry as a Place of Opening – Celeste Snowber
Chapter 6: ‘Can They Dance?’: Towards a Philosophy of Bodily Becoming – Kimerer L. La Mothe
Part II: Reflections on the Intersections of Spiritualities and Pedagogy – Sarah Whatley
Chapter 7: Reflections on the Spiritual Dimensions of Somatic Movement Dance Education – Martha Eddy, Amanda Williamson and Rebecca Weber
Chapter 8: Postmodern Spirituality? A Personal Narrative – Jill Green
Chapter 9: Working Like a Farmer: Towards an Embodied Spirituality – Helen Poynor
Chapter 10: Intimate to Ultimate: The Meta-Kinesthetic Flow of Embodied Engagement – Glenna Batson
Chapter 11: Permission and the Making of Consciousness – Sondra Fraleigh
Chapter 12: Conversations about the Somatic Basis of Spiritual Experiences – Sylvie Fortin, Ninoska Gomez, Yvan Joly, Linda Rabin, Odile Rouquet and Lawrence Smith
Chapter 13: Inner Dance—Spirituality and Somatic Practice in Dance Technique, Choreography and Performance – Kathleen Debenham and Pat Debenham
Chapter 14: This Indivisible Moment: A Meditation on Language, Spirit, Magic and Somatic Practice – Ray Schwartz
Chapter 15: Global Somatics™ Process: A Contemporary Shamanic Approach – Suzanne River, interviewed by Kathleen Melin
Part III: Cultural Immersions and Performance Excursions – Glenna Batson
Chapter 16: Dancing N/om – Hillary Keeney and Bradford Keeney
Chapter 17: Dancing with the Divine: Dance Education and the Embodiment of Spirit, from Bali to America – Susan Bauer
Chapter 18: The Sacrum and the Sacred: Mutual Transformation of Performer and Site through Ecological Movement in a Sacred Site – Sandra Reeve
Chapter 19: Dancing and Flourishing: Mindful Meditation in Dance-Making and Performing – Sarah Whatley and Naomi Lefebvre Sell
Chapter 20: ‘What You Cannot Imagine’: Spirituality in Akram Khan’s Vertical Road – Jayne Stevens
A propos de l’auteur
Sarah Whatley is founding editor of the Journal of Dance and Somatic Practices. She is Chair of Dance and Director of the Centre for Dance Research (C-Da RE) at Coventry University, UK. As a dance practitioner, educator, theorist and writer, her research spans a wide range of topics where dance is at the core.
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