The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present – based on the proceedings of an international conference held at the Victoria and Albert Museum in 2016 in conjunction with an exhibition exploring the reception of Botticelli’s art from its inception to the present day – engages with this debate. The book comprises four thematic chapters, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each chapter comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The chapters are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.
Table des matières
Introduction
Ana Debenedetti, Victoria and Albert Museum
Part 1: Botticelli in his own time
Introduction
Michelle O’Malley, Warburg Institute
1. Sandro Botticelli and the birth of modern portraiture
Patrizia Zambrano, Università degli Studi del Piemonte Orientale
2. Botticelli’s Portrait of a Lady known as Smeralda Bandinelli: a technical study
Nicola Costaras, Victoria and Albert Museum and Clare Richardson, Courtauld Institute
3. Classicism and invention: Botticelli’s mythologies in our time and their time
Paul Holberton, independent scholar
4. Jacopo del Sellaio’s adaptation of the Primavera
Jerzy Miziołek, Museum of the University of Warsaw
Part 2: The Botticelli effect Introduction
Julius Bryant, Victoria and Albert Museum
5. Whigs and primitives: Dante and Botticelli in England from Jonathan Richardson to John Flaxman
Mark Evans, Victoria and Albert Museum
6. Befriending Botticelli: psychology and connoisseurship at the fin de siècle
Francesco Ventrella, University of Sussex
7. A woman’s touch, Michael Field, Botticelli and queer desire
Anna Gruetzner Robins, University of Reading
Part 3: Botticelli between art history and connoisseurship Introduction
Caroline Elam, Warburg Institute
8. Crowe and Cavalcaselle on Botticelli: new results
Donata Levi, University of Udine
9. Why Botticelli? Aby Warburg’s search for a new approach to Quattrocento Italian art
Claudia Wedepohl, Warburg Institute
10. ‘A Japanese Critic on Botticelli’: fragmentation and universality in Yashiro’s 1925 monograph
Jonathan K. Nelson, Syracuse University, Florence
11. Jacques Mesnil’s Botticelli
Michel Hochmann, Ecole Pratique des Hautes Etudes, Paris (EPHE, PSL)
Part 4: Botticelli now Introduction
Stefan Weppelmann, Gemäldegalerie, Kunsthistorisches Museum Wien
12. Ninfa fluida (a post-scriptum)
Georges Didi-Huberman, Ecole des Hautes Etudes en Sciences Sociales, Paris
13. Into the abyss. On Salvador Dalì’s Dream of Venus
Riccardo Venturi, Académie de France, Villa Medici, Rome
14. Giving an edge to the beautiful line: Botticelli referenced in the works of contemporary artists to address issues of gender and global politics
Gabriel Montua, Neue Nationalgalerie, Staatliche Museen zu Berlin
A propos de l’auteur
Caroline Elam is a Senior Research Fellow at the Warburg Institute, University of London. She specialises in architecture, art and patronage in the Italian Renaissance and in the reception of early Italian art in the late nineteenth and twentieth century. She has held academic positions at the University of Glasgow, King’s College, Cambridge and Westfield College, University of London.
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