Confronted by a crisis in black American leadership, state-sanctioned violence against black communities, and colorblind laws that trap black Americans in a racial caste system, Black Lives Matter activists and the artists inspired by them have devised new forms of political and cultural resistance.
More Than Our Pain explores how affect and emotion can drive collective political and cultural action in the face of a new nadir in race relations in the United States. This foregrounding of affect and emotion marks a clear break from civil rights–era activists, who were often trained to counter false narratives about protesters as thugs and criminals by presenting themselves as impeccably groomed and disciplined young black Americans. In contrast, the Black Lives Matter movement in the early twenty-first century makes no qualms about rejecting the politics of respectability. Affect and emotion has moved from the margin to the center of this new human rights movement, and by examining righteous rage, black joy, as well as grief and fatigue among other emotions, the contributors celebrate the vitality of black life while documenting those who have harmed it. They also criticize the ways in which journalism has commercialized and sold black affect during coverage of the Black Lives Matter movement and point to strategies and modes-of-being needed to overcome the fatigue surrounding conversations of race and racism in the United States.
Table des matières
List of Illustrations
Acknowledgments
Introduction: More Than Our Pain: Affect and Emotion in the Era of Black Lives Matter
Beth Hinderliter and Steve Peraza
Part I: Affect and Emotion in the Era of Black Lives Matter
1. Emotional Work and Care Labor in the Art and Politics of Black Lives Matter
Beth Hinderliter
2. The New Nadir: Decline and Despair in U.S. Race Relations
Steve Peraza
3. Emotion, Race, and Cultural Trauma in #Black Lives Matter
Erin M. Stephens
4. Hoodrat Praxis in a Time of Love and Fury
Yomaira C. Figueroa-Vásquez and Jessica Marie Johnson
Part II: Shaping Collective Protest and Speech through Affect and Emotion
5. The Hoodie Stands Witness: & Other Poems
Lauren K. Alleyne
6. ‘I can’t breathe’: Visual Economies of Resistance
Siona Wilson
7. ‘Stranger Fruit’: Jon Henry in conversation with Beth Hinderliter
8.The Uses of Anger: Wanda Coleman’s Poetry of Black Rage and #blacklivesmatter
Shanna Greene Benjamin
9. Bodies That Matter: Blackness, Social Symbolism, and the Affective Image
Derek Conrad Murray
Part III: Moving Forward: Overcoming Fatigue with Rage and Joy
10. A Eulogy in Two Parts
and In response to the Question: If 2017 was a poem, what would it be called?
Dominique Christina
11. Puzzle Pieces on the Floor: Curriculum Gaps, White Fatigue, and Misunderstanding #Black Lives Matter
Joseph Flynn
12. ‘We’re Going to Have to Do It Ourselves’: Banking Black in the United States
Andrew J. Padilla
13. Black Joy in the Time of Ferguson
Javon Johnson
Notes
About the Authors
Index
A propos de l’auteur
Beth Hinderliter is Assistant Professor of Art History and Director of the Duke Hall Gallery of Fine Art at James Madison University. Her books include
Antagonizing White Feminism: Intersectionality’s Critique of Women’s Studies and the Academy (coedited with Noelle Chaddock).
Steve Peraza is Assistant Professor of History and Social Studies Education at Buffalo State College, State University of New York.
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