Craig Duncan 
Student Violist [PDF ebook] 
Mozart

Two classic collections of freedom songs, We Shall Overcome (1963) and Freedom Is A Constant Struggle (1968), are reprinted here in a single edition which includes a major new introduction by the edi …

This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in …

This title was first published in 2002. Sir Peter Maxwell Davies is one of Britain »s most distinguished composers. This source book documents as much of the material on his music as is available to …

In Britain during the late 1970s and early 1980s, a new phenomenon emerged, with female guitarists, bass-players, keyboard-players and drummers playing in bands. Before this time, women »s presence i …

Hailed at its premiere at the London Coliseum in 1986 as the most important musical and theatrical event of the decade, The Mask of Orpheus is undoubtedly a key work in Harrison Birtwistle »s output. …

 With their complex textures, rich harmonies, and elaborate use of leitmotifs, the operas of German composer Richard Wagner (1813–83) remain some of the most influential—and contentious—in the h …

The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed, regional studies o …

Originally published in 1948 and updated with a new introduction in 1970 this book is a classic study on the musical life of a Bantu people in Mozambique. It discusses the poetry on which the music a …

Voices Found: Free Jazz and Singing contributes to a wave of voice studies scholarship with the first book-length study of free jazz voice. It pieces together a history of free jazz voice that spans …

Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s mo …