D. Soyini Madison 
Critical Ethnography [EPUB ebook] 
Method, Ethics, and Performance

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‘Critical Ethnography is a rare and beautiful synthesis of deft theorizing and principled pragmatics. The complexities of ethnography demand a grasp of both theory and practice, but rarely have they come together so clearly and completely as in this passionately written text. I especially appreciate the thoughtful attention to the intellectual roots of the critical tradition in ethnography, and to the way students are rigorously led through the methodological consequences of critical epistemology.’


 —Judith Hamera, Texas A&M University


‘I would strongly recommend this book for use in any course that explores the role of critical analysis in research. This book thoughtfully discusses and teaches about trying to understand the meanings attributed by others in regard to their expertise.’


—Amy Paul-Ward, Florida International University


What is critical ethnography? How do we use theory to interpret research data? What is performance ethnography? Readers can find answers to these fundamental questions in D. Soyini Madison′s engaging and highly multidisciplinary Third Edition of Critical Ethnography: Methods, Ethics, and Performance


The book presents a fresh new look at critical ethnography by emphasizing the significance of ethics and performance in the art and politics of fieldwork. The productive links between theory and method are celebrated in this title. Theoretical concepts range from queer theory, feminist theory, and critical race theory to Marxism and phenomenology. The methodological techniques range from designing and asking in-depth interview questions and developing rapport to coding and interpreting data. The various theories and methods culminate in three fictional ethnographic case studies that ‘enact’ the interdependence between theory and method and the significance of social theory, ethics, and performance.



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Table des matières

Preface

Acknowledgments

Chapter 1 • Introduction to Critical Ethnography: Theory and Method

Defining Terms: What Is the Critical in Critical Ethnography?

Dialogue: Virtues and Challenges

The Method and Theory Nexus

Key Terms

Warm-Ups

Chapter 2 • Methods: “Do I Really Need a Method?” A Method . . . or Deep Hanging Out?

“Who Am I?” Starting Where You Are

“Who Else Has Written About My Topic?” Being a Part of an Interpretive Community

The Power of Purpose: Bracketing Your Subject

Preparing for the Field: The Research Design and Lay Summary

The Interview

Formulating Questions

Questions to Get Started: Experience, Opinions, Feelings, and the Senses

Creativity, Questions, and Three Favorites

Memory and the Oral History Interview

Rapport: How and What Is This Between Us?

Coding and Logging Data

A Biomimetics of Ethnography

Warm-Ups

Chapter 3 • Three Stories: Case Studies in Critical Ethnography

Case 1: Local Activism in West Africa

Case 2: Secrets, Sexuality, and Oral History

Case 3: Community Theatre: Conflicts and Organization

Warm-Ups

Chapter 4 • Ethics

Ethics Is . . .

Ethics, Faith, and Environmental Activism

The Question of Freedom

Maria Lugones: Contemporary Ethics, Ethnography, and Loving Perception

Summary

Warm-Ups

Chapter 5 • Methods and Application: Three Case Studies in Ethical Dilemmas

Case 1: Local Activism in West Africa

Case 2: Secrets, Sexuality, and Oral History

Case 3: Community Theatre: Conflicts and Organization

Warm-Ups

Chapter 6 • Performance and Performed Ethnography

Foundational Concepts in Performance and Social Theory

Utopian Performatives

The Performance Interventions of Dwight Conquergood

Staging Ethnography as Performed Ethnography

Autoethnography and/or Reflexive Ethnography

Autoethnography in Performance as Critical Reflections

Warm-Ups

Chapter 7 • It’s Time to Write: Writing as Performance

Getting Started: In Search of the Muse

The Anxiety of Writing: Wild Mind and Monkey Mind

Writing as Performance and Performance as Writing

Warm-Ups

Chapter 8 • The Case Studies

Case 1: Staging Cultural Performance

Case 2: Oral History and Performance

Case 3: Fieldwork and Social Drama

Warm-Ups

References

Index

About the Author

A propos de l’auteur

D. Soyini Madison is professor of Performance Studies and Anthropology, and served as Interim Director of the Program in African Studies at Northwestern University. She is the author of Acts of Activism: Human Rights as Radical Performance (2010, Cambridge UP) and the co-editor with Judith Hamera of the SAGE Handbook of Performance Studies (2006, SAGE). Madison lived in West Africa as a Senior Fulbright Scholar and has conducted field research over the past ten years on the performance tactics of local human rights activists in Ghana.
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Langue Anglais ● Format EPUB ● Pages 272 ● ISBN 9781544352329 ● Taille du fichier 0.6 MB ● Maison d’édition SAGE Publications ● Lieu Thousand Oaks ● Pays US ● Publié 2019 ● Édition 3 ● Téléchargeable 24 mois ● Devise EUR ● ID 6878892 ● Protection contre la copie Adobe DRM
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