Two LGBTQ-themed plays for two actors (The Snow Queen can be expanded for more) and one simple set for each play. The Snow Queen, set in a small New England town in 1968, draws a finely detailed portrait of a boy’s friendship with a lonely, ostracized woman who shows him the kindness and understanding he cannot find anywhere else. Her loneliness and her masculine bearing are never discussed, but the boy recognizes that she and he are somehow alike, and different from everyone else. In the end, barely knowing what they are doing, the boy’s parents casually destroy the relationship. The sequel, November Door, takes place in the same town in the fall of 1995. The two unlikely friends from The Snow Queen reunite when the young man seeks absolution for a betrayal of his older friend some years earlier. We see what has become of both characters as they have carried their scars and thwarted desires thirty years forward. A bittersweet reunion concludes with a hard-won grace. The shows are technically simple, with one costume per actor per play and a few musical cues. The Snow Queen is suitable for audiences 12 and up, November Door for 16 and up.
Table des matières
The Snow Queen; November Door
A propos de l’auteur
David Pratt is the author of the novels Todd Sweeney, the Fiend of Fleet High, (Hosta Press) Wallaçonia (Beautiful Dreamer Press), Looking After Joey (Lethe Press) and the Lambda Literary Award-winning Bob the Book (Chelsea Station Editions). David’s story collection, My Movie (Chelsea Station) includes new work and short fiction published in Christopher Street, The James White Review, Velvet Mafia, Lodestar Quarterly and other periodicals. Recent anthology publications include Louis Flint Ceci’s Not Just Another Pretty Face, Paul Alan Fahey’s The Other Man, and Jameson Currier’s With.
David directed and performed his work for the theater in New York City at the Cornelia Street Café, HERE Arts Center and Dixon Place, and in the New York International Fringe Festival. More recently, he performed with Michigan artist Nicholas Williams at The Forge in Detroit, Michigan. In the 1980s, David was the first director of plays by acclaimed Canadian playwright John Mighton.
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