Deborah Cartmell & Imelda Whelehan 
Cambridge Companion to Literature on Screen [PDF ebook] 

Explores hieroglyphs as a metaphor for the relationship between new media and writing in British modernism In the British Museum, one object attracts more tourists than any other: the Rosetta Stone. …

For nearly a century, members of the Dildilian family practiced the art of photography in Ottoman Turkey, Greece and the United States. This book contains over 300 photographs, most taken during the …

BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-hous …

The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I »m Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in Britis …

Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the autho …

 »Paris in the Cinema » offers a new approach to the representation of Paris on screen. Bringing together a wide range of renowned French and Anglophone specialists in film, television, history, arch …

Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented – from the talent contracts that enable a film to go into prod …

The book provides a detailed introduction to the essential themes, style, and aesthetics of Pedro Almodovar »s films, put in the context of Spain »s profound cultural transitions since 1980. With pre …

The early twenty-first century has seen the emergence of a new style of television drama in Britain that adopts the professional practices and production values of high-end American television while …

It would be easy to dismiss the films of Douglas Sirk (1897-1987) as brilliant examples of mid-century melodrama with little to say to the contemporary world. Yet Robert Pippin argues that, far from …