Romanticism and the Museum argues that museums were integral to Britain’s understanding of itself as a nation in the wake of the French Revolution. It features Wordsworth, Scott, Edgeworth, and literary periodicals featuring Byron and Horace Smith.
Table des matières
List of Illustrations Introduction 1. Changing the Subject: Aesthetic Displacement, Museum Display, and the French Revolution in The Prelude 2. Facing History: Galleries and Portraits in Waverley’s Historiography 3. Reframing the National Imagination in Maria Edgeworth’s Harrington 4. Carving Out the Public Sphere: Romantic Literary Periodicals and the Elgin Marbles Epilogue Bibliography Index
A propos de l’auteur
Emma Rosalind Peacocke completed her doctorate at Carleton University. Her publications include articles in the European Romantic Review and Thomas Moore: Texts, Contexts, Hypertext. She has held a Huntington Junior Fellowship, and a Social Science and Humanities Research Council of Canada doctoral fellowship.
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